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31 Aralık 2020 Perşembe

THE AZTEK'S TALE LEGEND OF EXISTENCE

THE AZTEK'S TALE LEGEND OF EXISTENCE
 The Aztecs, who lived in present-day central Mexico, had a complex belief system based on gods that directly affected people's lives, including those who controlled the rising of the sun, fertility, and rains.

 According to the Aztecs, the creation of the world began with a deity named Ometeotl, also known as the dual deity, as it was made from the union of Tonacacihuatl and Tonacatecuhtli, whom the Aztec believed to be the mistress and lord of their nourishment.  Tonacacihuatl and Tonacatecuhtli had four children:

 Tezcatlipoca, meaning "smoky mirror", is associated with the color black.  He is the god of the world and the most influential and dominant of the four children.
 Xipe Totec, which means "skinned god" in Nahuatl language, is associated with the color red.  He is the god of all seasons and all things that grow on earth.
 Quetzalcoatl, which means "feathered snake", is associated with the color white.  He is the god of air.
 Finally, Huitzilopochtli, meaning "hummingbird in the south", is associated with the color blue.  He is the god of war.
 The four children decided they wanted to create a world with the people they would live in.  Huitzilopochtli and Quetzalcoatl make the first try, starting by lighting a fire.  This fire turns into the sun, but only half the sun because it wasn't bright enough or big enough to illuminate their entire world.  Later, they made the first woman and man, which they called Oxomoco and Cipactonal, respectively.  Their children were called `` macehuales '' and they would become farmers.  They invented the aftermath and later the hell they called Mictlan.  They created 2 gods named Mictecacihuatl and Mictlantecuhtli to rule this underworld.

 
 Eventually the earth demanded a true sun, so Tezcatlipoca took on the task of transforming itself into the sun.  This will be known as the first age of the sun.  During this time, they also produced giants to settle in the world.  Thinking that the reign of his brothers remained long enough, Quetzalcoatl struck him with a hammer, bringing him down from the sky so he fell to earth and a river.  But he rises out of the water as an angry Jaguar and wants to destroy all the giants, killing them all.  After destroying everyone, it rises back to the night sky and the constellation turns into the great bear.  Quetzalcoatl thus becomes the sun god who gave birth to the second solar age.  Tezcatlipoca does not sit idly by throwing a tremendous storm to the world to take revenge on his brother, which wipes out his brother and many farmers.  But even if some of the farmers are strong enough to withstand the storm and survive, they will eventually turn into monkeys and take refuge in the forests.

 In the third solar age, Tlaloc finally takes over and becomes the new sun of the world.  He is the god of rain that sprouts everything.  This time, Quetzalcoatl tries to overwhelm the world with the rain of flame this time, and this time turns all people into birds in the solar age.  But then he gave the earth to Tlaloc's wife, Chalchiuhtlicue (goddess of streams / rivers and all kinds of water).  During his rule, the world meets the rain and floods the whole world, turning all farmers into fish.  He is not satisfied with this, he drops the sky to the earth and covers and covers it completely, so that there is nothing about the earth.

  The cycle of the fourth sun is completed there.  In the end, realizing how they failed because of their own internal strife, Tezcatlipoca and Quetzalcoatl set out alone and solve their problems.  They turn themselves into giant trees and sit at one end of the earth.  By extending and joining branches, they manage to keep the sky above.  Their father, Tonacatecuhtli, sees that they have learned from these mistakes, and because he believes they will be more successful in the future, he handed them over the galaxy we know as the Milky Way as a star path.

  

 There are many different stories about how the 5th solar age was formed.  According to one legend, Tezcatlipoca tells his brothers how to take a flint and use it to light a fire again with it, before thinking about what to do.  Ultimately, he decides to create a new sun that feeds on people's blood and hearts.  Five females and four hundred males are made to feed the sun.  The rest is where the story goes in different directions.  Some say that Tlaloc and Quetzalcoatl wanted their own children to be the new sun, so each threw their children into the burning Tezcatlipoca.  Before Tlaloc surrenders his son to the scorching sun, he waits for his fire to turn into embers so that it becomes the moon dull than his son.  Quetzalcoatl chooses to throw his son directly into the fire, so he is the fifth and last sun we see today.

 Another legend tells of the gods gathering in the ancient city of Teotihuacan to discuss how to make a new sun.  Accordingly, Nanahuatzin, the god of disease, is trying to throw himself into fire and become the new sun.  The other gods, who thought he was a sick and weak god, were convinced that he was not a suitable god for the job, and they thought that a god stronger than him should be the new sun.

 Although Tecuciztecatl, a very rich god, comes forward and says that he will surrender himself to the sun and become the new sun god, he does not have the courage to do so.  In the end, though a little bit stiff, the god Nanahuatzin surrenders himself to the fires and leaps into the sun.
 
  
 When Tecuciztecatl sees his courage, he decides to surrender himself to the sun and jump.  Thus, they both turn into two different suns, but the lights of these two suns were so dazzling that they could no longer see anything.  So one of the other gods throws a rabbit at Tecuciztecatl, reducing its glow and thus transforming it into a moon.  Nanahautzin, now the new sun, will be reborn as Ollin Tonatiuh and enlighten the world.  But now a new problem arose, for this god he would hang motionless in the sky, not completing his cycle, unless the other gods spilled their blood.

 

 Thus, a god named Tlahuizcalpantecuhtli, the lord of the dawn, shoots an arrow at Tonatiuh but misses.  Tonatiuh also turns into Itzlacoliuhqui, the god of frost, coldness and obsidian, as a result of throwing that arrow back to Tlahuizcalpantecuhtli and hitting it directly.  Realizing that they cannot resist, other gods open their breasts and offer their hearts to him.  Quetzalcoatl also cut their hearts with a divine knife.  Thus, Tonatiuh, who is filled with the blood of the gods, starts his cycle in the sky as we see it today.  Quetzalcoatl takes and packs the ornaments and clothing of the sacrificed gods.  The Aztecs began to worship these packages ever since.

11 Aralık 2020 Cuma

MINOS PAINTING ART

MINOS PAINTING ART


 B.C.  From the late 3000 BC.  The Minoan Civilization, which lasted until the end of 2000 and is generally called Aegean or Pre-Hellenic, lived its golden age in 2000 BC with the palaces built in places such as Knossos, Phaistos, Malia and Zakros.  There is no monumental sculpture in Minoan Crete.  Even the gods were often made in small sizes, finely carved from ivory.

 Cretan art is the art of painting and polychrome decoration.  B.C.  Around 2000, natural plant stylizations, whose technical secret is still unknown and attracting attention with their changing color qualities, are seen in home decorations.  B.C.  While geometric stylization decreases in the multi-colored decorations of the characteristic 'Camares vases' of the 19th century, plant decorations and marine animals begin to come to the fore. Gritian artists showed great skill and skill in the color schemes dominated by red, orange, yellow and white.  B.C.  When we come to the 18th century, wall frescoes gain weight, but we see that the Cretan palaces where these frescoes cover the walls are still burned for unknown reasons.  B.C.  In the 17th century, Cretan palaces were rebuilt.  The excavations reveal that the palaces passed through two different periods.  The event that separates these two periods from each other is BC.  It is highly probable that there was an earthquake that occurred around 1700.  Findings and finds from the ruins reveal that these palaces were decorated with a rich and striking decoration;  Wall paintings of the palace in Knossos, the capital of the Kingdom of Minos, which gave its name to the Cretan Civilization, are particularly striking.  This period is also because of the tight connections of Cretan civilization with Egypt, the Egyptian influence is seen on the frescoes adorning the walls: there is no shadow and perspective.  Again, the lighter body colors of women than men can be attributed to the Egyptian effect.  On the other hand, we must underline that such technical influences are limited and that the understanding of Cretan painting is completely different from that of Egypt.  The painting of Crete first of all adhered to its prototypes and gave a different task to the human depiction that cannot be measured with Egypt.  On the other hand, the effect of religious themes on Cretan wall paintings is controversial.  We can say that there are god depictions among the paintings.

 The sizes of the figures in the wall fresco technique in Cretan painting vary from normal human height to the size of miniatures on the book pages.  Exceptions are of course available;  For example, the height of the whole figure named "Prince with Lily" whose image I shared is close to two meters.  This figure also shows the Egyptian influences, which I mentioned above in technical terms.  One of the most striking features of Cretan painting is that the audience groups watching the shows in some of the wall paintings are chosen as themes.  Sometimes a large crowd watches dances and bull plays on amphitheater-shaped benches.
 Some of the Cretan artists have shown extraordinary success in showing all the details, as well as showing all the details: The female figure, whose image I shared and called "Parisienne" because of its resemblance to the women of the artist Toulouse Lautrec, is one of the best examples of this.  The description is a unique example of the creativity of Minoan artists, with its beauty, upturned nose, big eyes and curls.  When we examine the work created with an impressionist approach, we understand why the Cretan art preferred painting to sculpture that freezes the figure.  Movement sensitivity and expressiveness are decisive in Cretan painting.  The fact that Cretan masters depicted a monkey figure in blue by going beyond reality is a good example for our understanding of the way they look at the world, as well as their desire to express the environment in an attractive and enthusiastic way.

 Thank you for your time and reading.  I hope it was useful.

 Stay with art.